Saturday, December 25, 2010

What Is Zepose Tablets

"When they saw the star they rejoiced exceedingly with great joy" (Mt 2:10). Today is born in the city of David the Savior.


the evangelist Matthew tells us that the Magi rejoiced at the sight of the star that marked the birthplace of the Child, the One who would save humanity.

We, believers or not, we can unite in the joy of that distant time which is always present.
Bringing back the true meaning of Christmas to the spiritual, put aside the rush for gifts and other alleged needs suggested by the mass media, is the hope that this blog would like to make all readers.
The work presented is a detail of the Nativity of Filippo Lippi , probably built in 1456 by one of the largest the protagonist of the Renaissance Tuscan is preserved in the Museo Civico di Prato.

wishes you a Merry Christmas of peace and joy to live with his family and those who are just relying on the support of the Child Jesus

Thursday, December 23, 2010

Degenerative Disc Disease

REAL ESTATE LAW. Mediation and compensation if the deal is not concluded. Unfair term?


A recent decision of the Supreme Court has intervened on mediation and the right to compensation which, according to a clause, signed by the party, it is for the mediator, in this case a real estate agency, even if the deal does not come to fruition.
It said that the Civil Code defines mediator the one that connects two or more parties to conclude a deal, without being tied to any them from working relationships, employment or representation "(art. 1754) and that he is entitled to a commission" by either party if the deal is concluded to the effect of his speech . "(art. 1755 ).
In the case says that it had been included in the contract a clause providing for mediation, even in the absence of closing, a fee equal to that due to the mediator in the case of positive conclusion.
The clauses of a contract qualify as vexatious, thus ineffective as provided by Law 52/1996, when prepared in the best interests of either party. Therefore if they have been subscribed to the party concerned may infer in court and request the disapplication void.

The judges of the third section with the sentence no 22357 of November 3, 2010 felt that if the mediator present for transferring the third position available to close the deal and get a refusal, in the presence of such a clause should evaluate the unfair or not, as provided by . 33, first paragraph, of the Consumer Code, if not explicit, in this case the compensation is owed to the broker for the work done so far.
recall that Article. Decree 33 of Decree Law No 6 September 2005 206, the so-called Consumer Code the first paragraph states that "in contract between the consumer and the professional are considered unfair clauses which, despite good faith, determine to the consumer a significant imbalance of rights and obligations under the contract . "The second paragraph lists a number of clauses with the subject indicated allegedly unfair, therefore null and void, until proven otherwise.

different hypothesis in which the party has appointed did not want to close the deal as it has come to know the circumstances impediments have not been notified by the mediator, which is an s responsibility for breach of duty of fairness and good faith (Articles 1175 and 1375 of the Civil Code) the prediction of having to pay anyway il compenso si configurerebbe una clausola penale applicandosi il secondo comma del medesimo art. 33 del codice del consumo, presumendosi la vessatorietà di tale clausola che andrebbe caducata.

La vicenda in questione vedeva come protagonista la proprietaria di un immobile che aveva sottoscritto un incarico di mediazione che contemplava una clausola per cui la provvigione doveva essere corrisposta ad una agenzia immobiliare anche nel caso in cui l'affare non si fosse concluso per causa imputabile alla sua volontà.
Costei si era rifiutata di concludere un contratto preliminare con un terzo, aspirante acquirente, presentato dall'agenzia.
L'immobiliare, non avendo ricevuto il pagamento della provvigione, attivava il proceedings for injunctive relief, claiming the party opposing the nullity of the clause cited as harassment, but both the Court that the Court of Appeals rejected the opposition by accepting the thesis of the mediator.
The dispute has landed in the Supreme Court whose judges have reiterated that the party has no obligation to conclude the contract with the third presented by the Ombudsman as provided nell'incarico not even being able to configure an obligation to contract, in accordance with this No previous Supreme Court decisions including 11244/2003 and 5095/2006.
If the party does not conclude the deal with the third party who has made an offer matching the expectations communicated to the mediator of the prediction payment of the commission can only be due to a remuneration for the research buyer.
However, if the fee provided for in this case is the same extent as that agreed for the end of the bargain, the court must determine whether there is an imbalance between the rights and obligations of the parties and therefore it constitutes the unfair nature of terms pursuant to Art. 33, first paragraph of the Consumer Code, which cares for its ineffectiveness.

The judges, accepting one of the two grounds of appeal have been referred to the Court of Appeals in a different formation to reconsider in light of the principles of law expressed the qualificabilità whether the refusal to conclude the deal as objectively justified and if yes verifying that the balance of benefits in the contract of entrustment.

Conclusively Board if you prefer to give the task to an estate agency to check carefully before you sign it, all the clauses included in the pre-printed form that is proposed by the Ombudsman (Law 39/1989, which regulates the 'brokerage, which provides forms and forms for the position of mediation and acquisition proposal prepared by the mediators must be filed with the Chambers of Commerce) and still commit to pay the commission, to be agreed in the quantum and mode payment, only upon completion of the transaction, the conditions required both for the price that the rules by paying the same notary.

Studio Legale De Valeri assists the parties during the negotiations for the sale of property, leases and disposals of business until the notarial deed , drawing up the proposed acquisition, the preliminary contract, ensuring the inclusion of clauses protecting the interests of the parties in the final contract prepared by the notary.

Friday, October 8, 2010

3028 Head For Dvx100a

FOOD LAW. Seminar "The discipline of food" - Rome 12 to 26 October 2010.


The Italian Association of Food Law, AIDA - IFLA has organized the 1st Training Seminar reserved for lawyers, "The discipline of food products" that be held in Rome at the Cash Bar, Via Ennio Quirino Visconti, 8 on 12, 19 and 26 October 2010, at 14:30 to 17:30.
subsequent seminars will be scheduled for operators of food establishments.

During the meeting of 12 October , which provides for memorandum of Prof. Ferdinand Albisinni, professor of the Faculty of Agriculture, University of Viterbo, is scheduled for surgery Att. Luigi De Valeri , a member of AIDA-IFLA, that will be a report on " The protection of public health in the production and sale of substances intended for.
Act No. 283 of April 30, 1962.
Cases dealt with by law.


The program of the three meetings and information for participation are available on the website of www.aida-ifla.it

Friday, July 9, 2010

'pinky Adult Star Gallery'

Environmental Law. Waste. Referring to the October 1 entry into force of Sistri.


I return and update on the theme of environment and waste Sistri of the new computer system for checking the traceability of waste already dealt with the post of 29 March.
National legislation on waste management is contained in Law 296/06, Art. 1 Leg. January 16, 2008 No 4, Art. 2 paragraph 24 and the recent Act 102/09, Art. 14 bis and in Europe is under implementing the EU Directive 2008/98/EC.

It 'was released by industry associations likely referring to the news of the October 1, 2010 entry into force of Sistri that, among other things, provides for the installation of the black box on the vehicle, the USB keys, and a new management software.
should in fact be issued a ministerial decree to that effect having regard to the forthcoming expiry of July 13 for large businesses that lack an extension have to begin using the Sistri few days.
small and medium enterprises and those that are not mandatory but may meet the criteria of the system voluntary instead should meet the deadline of August 12, 2010.
remember are required to comply with the Sistri the following categories:
the original producers of hazardous waste and the original producers of non-hazardous systems with more than 10 employees, dealers and brokers of waste without holding, consortia for recovery and recycling, transport professional waste, operators of intermodal transport, transport in their own hazardous waste, recovery and disposal center.
UPDATE July 13, 2010
E 'was published in the Official Gazette No. 161, July 13, 2010 the Ministry of Environment Decree 9 July 2010 which makes changes and additions to Decree 17 December 2009 which established the Sistri. The measure
been in force since July 14, 2010 October 1, 2010 and extending to the end of the unified operation of all parties responsible for Sistri.
The deadline for the withdrawal procedures of dispsitivi USB and the installation of black boxes has been extended to September 12, 2010.

We invite readers to consult the full text of the Ministerial Decree 9 July 2010 on the site www.sistri.it

Wednesday, May 12, 2010

Focal Length Not Displayed

THE LAW AND MIGRANT

CORSO DI AGGIORNAMENTO PROFESSIONALE

IL DIRITTO E I MIGRANTI
PROLUSIONE

SABATO 15 maggio 2010 ore 09,30 - 13,00

Sala Consiliare Ordine Avvocati di Bari


SALUTI DI BENVENUTO E PRESENTAZIONE

 Avv. Emmanuele Virgintino, Presidente Ordine Avvocati Bari
 On. Nichi Vendola, Presidente Regione Puglia
 Prof. Francesco Schittulli, Presidente Provincia di Bari
 Dott. Michele Emiliano, Sindaco di Bari
 Avv. Luigi Pansini, Sindacato Avvocati Bari
 Avv. Luca Colaiacomo, Presidente AIGA Sezione Bari
 Dott. Luigi Di Lalla, Presidente Corte Appeals Bari - Section III
 Introduction: Prof. Ernesto Cianciola, University of Taranto
 Keynote Address: Dr. Patrizio Gonnella, President Ass.ne Antigone



"HUMAN RIGHTS ARE UNIVERSAL"



Meetings will be held every Thursday afternoon at the Court of Bari, Piazza Enrico De Nicola No 1, from 15.00 to 18.00, in the Council Chamber of the Bar of Bari

The contribution for the participation in the course is € 30.00.
The course is reserved for first 110 members and recognizes no 15 credit points including 5 in ethics

Per le iscrizioni rivolgersi al Sindacato Avvocati di Bari - sig.ra Giovanna Catalano
Tribunale di Bari, Piazza E. De Nicola n. 1, 6° piano, tel. 080/5798198.


COMITATO ORGANIZZATORE DIREZIONE SCINTIFICA

Avv. Luca Colaiacomo Avv. Dario Belluccio
Avv. Luigi Pansini Avv. Simona De Napoli
Avv. Serena Triggiani

Wednesday, May 5, 2010

Candida Albicans Skin

CONDOMINIUM. Table Editing thousandth.


Each condominium can take legal action to require that the tables are modified by the Court micron, which is responsible for territory, but to consider carefully whether there are conditions for obtaining the correction and to prove it. The

Articles 68 and 69 of implementing provisions of the Civil Code provide that the proportional values \u200b\u200bof any plan or plan of the portions of the exclusive property of the individual blocks are to be briefed in thousandths of the entire building and those listed in an Appendix to the Regulation.
These values \u200b\u200bmay be revised in the interests of a condominium, but only two conditions must be met: they must be the consequence of a mistake or if it significantly altered the original ratio between these values \u200b\u200bas a result of changed conditions of the building, if there was elevation of floors, a partial or espropriazone-reaching innovations.

brought to the attention of readers to a recent civil Court of Cassation, Section II, No 3001, published February 10, 2010.
The judges of the Supreme Court expressed the principle that do not involve reviewing or changing table that the errors on the determination of value, other than those induced by the elements required for the calculation, nor the subsequent changes of criteria for estimating real property, even if they led to a reassessment of the individual units of the building patterns, or alter the original relationship between the value of individual units and between them and the building.
The decisive moment to find the value of individual pieces of real estate property of their condominiums and thousandths of an outline of the value of the building is one in which the regulation was adopted and the tables were formed.
applications requiring the revision of the tables errors should not only be due to an appreciable difference between the values \u200b\u200bforming the basis of the original redazone of those tables and then actual, objectively verifiable also be given the evidence on which the value at that time was to be determined.

The story on the court ruling last February had been originated by the action of a condominium in Turin for the determination of the error tables thousandth of apportionment of costs, alo order to obtain a refund of the sums which he had paid in excess of over ten years.
The Turin Court rejected the application as did the Court of Appeals that, in stressing that the error relevant to art. 69 disp. att. Civil Code must be objective and result in a significant difference between the value given in the tables and the actual number of housing units, noted the failure to provide objective and specific demonstration of the errors from which the tables were flawed and that the alleged error of these could not inferred from the divergence from those developed in the expert witness carried out during the proceedings that had been based on evaluation criteria and their calculation of the present.
So the defense of the condominium had not provided proof of what criteria were used for calculation of the formation of the original tables and their coincidence with those used by the consultant appointed by the judge to draw up tables to achieve uniform.

must therefore suggested extreme caution when considering a legal action aimed at achieving the adjustment of tables thousandth.
I must also point out that the error that justifies the revision is not the fault of Article. 1428 and the Civil Code relating to the vices of consent in the contract, but the one from which an apparent discrepancy between the actual value of individual units and the value ascribed to them in proportion in the tables.

Sunday, April 25, 2010

Best Budget Receiver Hdmi

House is booming foreclosures

È uno degli incubi peggiori degli italiani: non riuscire a pagare le rate, non rispettare un debito, e dunque perdere la casa. Con tanto di pignoramento e vendita all’asta. Un’incubo che riguarda sempre più famiglie. Almeno secondo i dati raccolti dalle associazioni dei consumatori Adusbef e Federconsumatori. Che hanno spulciato negli archivi delle sezioni fallimentari dei tribunali delle principali città italiane. Traendone uno scenario preoccupante: nel 2009 c’è stato un vero e proprio boom di pignoramenti ed esecuzioni immobiliari, aumentate del 15,2% in un anno.




Nel triennio 2007-2009, sempre secondo i dati diffusi dalle due associazioni, i pignoramenti sono addirittura aumentati del 60.5%, reaching 130 000 homes to be auctioned. Leading the list of the foreclosures is Milan, where legal proceedings have affected approximately 2,733 homes, with an estimated increase of 15.5% in one year. Below, in this nice little chart, Rome (altitude 2,157 executions, +18.1%) and Monza (1,040 auctions, +20.2% on 2008). "The unsustainable economic crisis - says the president dell'Adusbef, Elio Lannutti - brings more Italian families can not meet the mortgage repayments, commitment increasingly heavy eating 33% of your income, this translates into a risk Real insolvent for at least 350 000 families. " A concern

which is also confirmed by official data. As those of Bank of Italy: the flow of new bad debts on loans to households, adjusted in relation to loans, rose in the third quarter of 2009 at an altitude of 1.5% against 0.9% in the same period in 2008. And Caritas, in a report on the credit spread a few days ago, warned: a family of 4 among those who will buy the house with a mortgage over the next year would slip below the poverty line. Precisely for this reason, the ABI launched yesterday, in agreement with 13 consumer associations, the 12-month suspension of payment of installments of loans for families in difficulty, active since February 2010. A measure that

But the Adusbef judged insufficient by not signing the memorandum of understanding and even inviting consumers to "tighten their belts and pay, where possible, the rate loans trying not to further benefit with a" moratorium "onerous, particularly in against the interests, the gentlemen bankers ". For Adusbef and Federconsumatori measures are therefore more effective. It is especially urgent intervention of the government: "After the decree of providence and saving banks for business, the government issued an emergency ordinance also" save-families "- asking the two groups - with tax cuts of at least 1,500 € favor of fixed-income workers and retirees. Otherwise the gap will widen social.

http://www.lastampa.it/redazione/cmsSezioni/economia/200912articoli/50543girata.asp

Friday, April 9, 2010

Canon Gl-2 Gl2 3ccd Minidv Camcorder

ORDINARY MEETING OF MEMBERS

E' convocata
l'Assemblea ordinaria degli iscritti al Sindacato Avvocati di Bari nella giornata del 28 APRILE 2010 alle ore 8.00 in prima convocazione e alle ore 9.30 second call, at the Library Council of the Bar of Bari, to discuss and vote on the following Agenda:

1. Report of the Secretary moral
2. Treasurer's report
3. Final budget approval (2009) and prior (2010).

In continuation of the Assembly convened, there will be at the headquarters of the Union:

4. Election of statutory charges:
BOARD (9 members)
BOARD OF ARBITRATORS (3 members and 2 alternates) BOARD OF AUDITORS (3 members and 2 alternates)
5. Any other business.

Article 6, third paragraph: The right to vote and may be elected as members of corporate bodies, only members enrolled for at least a year that comply with the payment of dues for the current year.
Art.20: E 'be given the opportunity to each member eligible to submit an application in writing, deposited with the secretariat, in list form and together with a broad agenda, at least five days before the meeting. This list and / or application must be signed by individual candidates. The Secretary will oversee the publication of applications received in terms of programs and lists, notice boards, bulletin boards and in the spaces, the alphabetical list of candidates and not through any other suitable means.
21: ...omissis... Possono esercitare il diritto di voto tutti gli iscritti al Sindacato in regola con i pagamenti delle quote d'iscrizione. Il voto, segreto, si esprime per mezzo di schede o eventualmente su supporti informatici che devono contenere un numero di nomi non superiori ai due terzi degli eligendi, arrotondato per eccesso. Le schede con un numero di voti superiore a tale limite saranno annullate, mentre quelle con numero inferiore saranno valide.
Decorse tre ore dall'inizio delle operazioni di voto, il Presidente del seggio, dopo avere ammesso a votare gli elettori che in quel momento si trovino nel seggio, dichiara chiusa la votazione; quindi, procede, pubblicamente, con gli scrutatori, alle operazioni di scrutinio. ...omissis...
Completato the ballot, the President shall declare the result shall be declared elected who have obtained the most votes. A tie is the most senior elected member of enrollment. ... Omission ...
Applications must be received at the registered office not later than April 23, 2010 at 13:00.
Bari, April 8, 2010 The Board of Directors

Saturday, April 3, 2010

Best Price On A Portable Tv 9 Inches And Under

Hallelujah, Jesus is risen! Easter Sunday.


From Easter proclamation.

"Sing, choirs of angels, the heavenly assembly

exult and a hymn of glory
regards the triumph of the Risen Lord.

Joy to the earth bathed in new light!
THE SPLENDOR OF THE KING HAS WON THE DARKNESS ,
THE DARKNESS OF THE WORLD! "


Why look among the dead is alive?
This is not risen.
(Luke 24:5-6) The proclamation or

Exultet is an chant the solemn Easter vigil in the Catholic Church. It is proposed
a painting, oil on panel, "The Resurrection of Christ" produced by Raphael between 1499 and 1502, preserved in the museum of Sao Paulo.

Greetings of peace and serenity to all readers.
Luigi De Valera

Friday, April 2, 2010

Muzzle Loader Cleaning Kit

Help ... I have distrained the house!

last period frequently hear
around how difficult to make ends meet.
One of the costs that weigh more is mutual.
I know many people who have many installments in arrears ...
... how to resolve the situation?

Monday, March 29, 2010

Veho Discovery Vms-004 Deluxe

Environmental Law. The new system Sistri for the control of waste.


The theme of the environment and in particular the management of waste as a legal pad assumes particular importance given the events of recent years, primarily the so-called emergency waste that affects and endangers the health of many citizens.
The recent publication in the Official Gazette of the decree of the Ministry of Environment provides for the adoption the computer system for checking the traceability of waste called Sistri provides an opportunity to publish a post received by Eng. Gerald Crump, owner of consulting company in the construction industry and the environment with whom the firm cooperates.


On January 13, 2010 was published on 17/12/2009 Ministerial Decree establishing the system for checking the traceability of waste pursuant to art. 189 of Legislative Decree no. 152/06 and art. 141 bis of Legislative Decree no. 78/09 converted into Law 102/09.
The decree passed by the Minister Prestigiacomo defines the manner, time and cost of the new computer system control traceability of waste called Sistri whose management is entrusted to the Carabinieri for environmental protection.
The new system will lead to a gradual replacement of the current paper-based system based on the log loading and unloading waste form and MUDs with a system based on computer technology.
All movements of waste will be communicated to the Carabinieri in real time using computer tools.
Article. 1 of Decree identifies the companies obliged to adhere to Sistri:
to - businesses and organizations the original producers of hazardous waste,
b - businesses and organizations the original producers of non-hazardous waste with more than ten employees pursuant to Legislative Decree no. 152/06, art. 184, paragraph 3, letters c) waste from industrial processing, d) waste craftsmanship letter and finally g) waste arising from recovery and disposal of waste, sludges from water purification and other water treatment , wastewater treatment and fume.
c - dealers and brokers of waste without holding;
d - consortia established for the recovery and recycling of certain types of waste and
- transporters; f - the recovery and disposal center.

E 'instead provided the registration is optional for the firms and the original producers of non-hazardous waste up to ten dipendenti, gli imprenditori agricoli che producono rifiuti non pericolosi, imprese ed enti produttori di rifiuti speciali non pericolosi derivanti da attività diverse da quelle indicate nel citato art. 184 e le imprese che raccolgono e trasportano i propri rifiuti non pericolosi.
Il decreto 17.12.2009 del Ministero per l'ambiente prevede la graduale entrata in vigore delle disposizioni in base alla tipologia dei rifiuti trattati o gestiti dalle imprese.
Dal prossimo 13 luglio, ovvero 180 giorni dall'entrata in vigore del decreto, le prescrizioni si applicheranno ai produttori iniziali di rifiuti pericolosi e non pericolosi con più di 50 dipendenti, commercianti ed intermediari, consorzi ed istituti di recupero per il riciclaggio di particolari tipologie di rifiuto, trasportatori, recuperatori e smaltitori.
Dal 12 agosto 2010 avverrà l'entrata in vigore per i produttori iniziali di rifiuti pericolosi fino a 50 dipendenti, produttori iniziali di rifiuti non pericolosi che hanno tra 11 e 50 dipendenti e i soggetti con iscrizione facoltativa al SISTRI.
Agli operatori del settore segnaliamo che è possibile iscriversi on line al SISTRI sul sito www.sistri.it realizzato dal Ministero dell'Ambiente che permette di ottenere ogni informazione a riguardo.

In questa sede non potevamo che sintetizzare la nuova normativa relativa alla gestione dei rifiuti.
Per ogni chiarimento in materia di diritto ambientale e per ulteriori precisazioni sul SISTRI Please contact us at the address of the Studio or email studiomollicagerardo@alice.it

Sunday, February 28, 2010

Myammee Nud�‰

Daria Semegen (1946)


Daria Semegen (Bamberg, June 27, 1946)




Semegen Daria was born in Germany to parents in Ukraine and arrives in America at the age of seven years. In 1965, a student at the Eastman School of Music, composed "Six Plus", a piece for traditional instruments and band influenced by the musique concrete. He continued his musical initiation at the Rochester Institute of Technology and Yale University, during the years he has an opportunity to deepen the theory and technique of composition with more artists: Bulent Arel, Alexander Goehr Samuel H. Adler, Robert Gauldin, Bunill Phillips, Witold Lutoslmki, Biilent Arel, Vladimir Ussachevsky. Between 1968 and '69, he moved in Poland, where he meets a new teacher, Witold Lutoslawski. Although in the 70s the Buchla 200 series is one of his favorite instruments, also composes acoustic pieces like "auatres des Jeux" (1970). In 1971 he studied electronics at Yale with Bülent Arel and thanks to this summer of the same year are allowed to work on his music under the guidance of Ussachevsky. Columbia was born "Electronic Composition No. 1" the famous song created entirely through electronic sources but the method of classical music note for note, phrase by phrase compositions come to life only to be mixed in various ways. ECNo.1 wins in 1975 the 'International Society for Contemporary Music prize. Between 1971 e 1975 Semegen insegna al Columbia-Princeton Electronic Music Center e lavora come assistente tecnico di Ussachevsky e Otto Luening. In seguito riceve un incarico alla State University di New York a Stony Brook dove ad oggi è direttore dell’ Electronic Music Studio e Associate professor of Composition, Theory, and Electronic Music.

Wednesday, February 24, 2010

Edu Science 600-power Reflector

IV COURSE ON THE PROCESS EXECUTIVE

IV COURSE ON THE IMPLEMENTATION PROCESS EXECUTIVE

ESTATE: OPERATIONAL PROFILES

BARI, 11 - 18 - 26 March 2010


Thursday, March 11 2010
I GIORNATA
ore 15:00 - Sala Consiglio Ordine Avvocati Bari
• Saluti di benvenuto e presentazione
Avv. Pasquale Barile
Segretario del Sindacato degli Avvocati di Bari
Avv. Pierluigi Vulcano
Presidente della Fondazione Giuridica di Bari “Irnerio”
Avv. Emmanuele Virgintino
Presidente del Consiglio dell’ordine degli Avvocati di Bari
• Esecuzione immobiliare e tutela dei terzi nel sistema delle misure di prevenzione
Dott. Franco Cassano, Magistrato Corte Appello di Bari
Avv. Prof. Andrea Aiello, Università di Trapani


Giovedì 18 marzo 2010
II GIORNATA
ore 15:00 - Sala Consiglio Ordine Avvocati Bari
• Esecuzione immobiliare, credito fondiario e fallimento
Avv. Prof. Achille Saletti, Università di Milano
Avv. Prof. Giuseppe Miccolis, Università di Lecce


Venerdì 26 marzo 2010
III GIORNATA
ore 15:00 - Aula Magna Corte d'Appello di Bari
• Limiti esterni ed interni dell'azione esecutiva: l’oggetto del pignoramento e la individuazione dell’immobile staggito nella nota di trascrizione.
Vincoli di destinazione artistici, urbanistici, paesaggistici. Gli immobili abusivi. Inserimento dell’area in piani PEEP o PIP.
I beni facenti parte di eredità not accepted
Dr. Franco De Stefano, Magistrate Court of Appeals Salerno
Dr. Michele Augelli, Notary in Foggia



by: Mr. Luigi Pansini and Mr. Gianfranco Todaro

For information and registration, please contact the Secretariat Lawyers of the Union address to the header (Ms Giovanna Catalano).
Course are limited and reserved for the first 100 members. Participation fee is € 100.00.
deadline for submissions: March 5, 2010

Monday, February 15, 2010

Najlepsze Darmowe Servery Z Php

Wendy Carlos & Rachel Elkind: Switched-On Bach (1968)




Wendy Carlos & Rachel Elkind: Switched-On Bach (1968)


Switched-On Bach, oltre ad essere stato il primo album di musica classica a guadagnarsi il disco di platino, cambiò per sempre la faccia del pop, of rock and traditional music. He started a host of imitators and infinite delight the ears of an audience that until then had looked with suspicion electronics. Prior to S-OB-mail was considered the vanguard in the worst possible way and, moreover, did not raise no economic interest. Wendy Carlos
solved the problem:

"I thought if I Offered That people a little bit of traditional music, and They Could Clearly hear the melody, harmony, rhythm and all the older values, they'd finally see That this was really pretty in net new medium "

Walter Carlos had studied piano, was interested in physics, had experience as a sound engineer and Columbia had degree in composition with Otto Luening and Ussachevsky. In 1966 Bob himself gives him his first Moog, with help from Bob Schwartz, a colleague at Gotham Recording Studios, Walter's apartment on West End Avenue, Walter had become a recording studio in miniature. Bob spends a whole weekend in the West End to check the correct operation of the instrument, is the beginning of a long and successful partnership: Carlos, suggests some improvements and market leads to the port and the switch. Over the years, Moog goes back and forth between New York and Trumansburg with his prototypes, desirous of valuable advice to Walter. Gotham Studios to meet Carlos Rachel Elkind, arrived from San Francisco as aspiring singer jazz and ended up working first as an assistant producer and then, in the music industry. Rachel describes his first encounter with Wendy:

"loathe at fist sight. We did not care for Each Other at all. It Took us about a year before I started bugging her to collaborate with me or makes me feel

When Wendy Rachel to a version of a Bach sonata immediately realizes the potential of this work. Wendy had not yet thought to make an album of covers of Bach: the idea is Rachel. The two began writing the first movement of the Third Brandenburg Concerto: Wendy and Rachel works at Moog produces sounds not too encouraging imitative than those actually usati da un’orchestra. Il timbro doveva essere familiare ma pur sempre differente. Alla fine dell’estate del ’68 S-OB è finalmente pronto e la Columbia offre al duo un contratto. Il successo investe le ragazze ma, non tutto è rose e fiori. In quel periodo Walter sta iniziando la sua trasformazione in Wendy grazie ad una terapia ormonale a cui segue nel 1969 un pionieristico intervento permanente. Per questo motivo Walter-Wendy non fa vita sociale, non appare in pubblico e non incontra altri musicisti. Dopo il tragico concerto con la St. Louis Orchestra nel 1969, Wendy si rifiuta per sempre di suonare in pubblico. Specchio di Walter-Wendy, la stessa natura di S-OB completamente prodotto in studio, mal si presta alle esibizioni live. Anche per Rachel le cose non sono felici. La gente non capisce il suo ruolo in quel capolavoro:

“Having built up Walter Carlos, I also got tired of people thinking that I was there serving tea”.

Ma la gigantesca portata di S-OB non causa problemi solo alle sue creatrici; il disco spaventa i musicisti d’orchestra che immaginano il loro lavoro andare in fumo, sostituito da una sola persona e da un sintetizzatore. Terrorizza gli artisti e i compositori d’avanguardia che vedono la sintesi imitativa di Carlos popolarizzare i loro progetti sperimentali. Per tutte queste persone è necessaria una strategia di salvezza e così l’American Federation of Musician e i produttori di spot siglano un contratto nel 1969 per bandire the use of the Moog by the production of commercial jingles. The quarrel ended with the intervention of Walter Sear, who once belonged to the lobby. Thanks and his contacts Sear explains the AFM that the Moog needs a musician to be played ...
After changing the history of music, Wendy Rechel and continue to work together. After the timely realization: The Well-Tempered Synthesizer (1969), Switched-on Bach II (1973), Switched-On Brandemburgs (1979) and the soundtrack of A Clockwork Orange (1972) and The Shining (1980).



Bob Moog describes the public reaction EASA meeting in New York (1968) after listening to a preview of a piece of the Third Brandenburg Concerto:

"I put the tape on, and I wanted to let it run. So I just Walked off the stage into the back of the room. And I can remember people's mouths dropping open. I swear I Could see a couple of cynical old bastards Those starting to cry. At the end, she got a standing ovation, you know, Those cynical, New York experienced engineers HAD HAD Their Minds blown "

Friday, February 5, 2010

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Eliane Radigue (1932)



Eliane Radigue (Paris, January 24, 1932)

Eliane Radigue approaches to work as a composer in the fifties. In 1955 he met Pierre Schaeffer, director of Radio France d'Outre-Mer and the laboratory of concrete music of RTF (French Radio and Television) and became his student. The following year, Schaeffer believes Eliane sufficiently independent to itself access to the studies of the RTF, so the teacher writes a letter to the Director of the Nice seat but denies pupil access to the laboratories. Between 1958 and 1967
Eliane takes a break from electronics, dedicating his time to the three sons and her husband, the French artist Arman. After the divorce from his wife, Eliane back on track and is employed as an assistant to Pierre Henry Study Apsome where he created some sounds for his work. In this period as a technique using Eliane compositional feedback and tape recorders. In 1969 he released his first work of Radigue, a double 45 rpm in a limited edition of 250 copies, reprinted in 2000.
In the 70s he moved to the United States found many similarities with the New York minimalist scene. The musical atmosphere of the U.S. is not the only thing that pushes to move Eliane: in America there is a large supply of synthesizers, Moog, Buchla, modular systems, all machines that had the advantage to produce sounds with a control that does not can be done with the old tape recorders. In 1970 she was invited by New York University, agrees with the study of Morton Subotnick Laurie Spiegel with the study. She remained there until June 1971 making some arrangements with the Buchla. In New York falls in love of ARP 2500, an instrument that will use almost absolutely until 2000.
"Work within the sound, the ARP I program with a base and then introduce variations to the potentiometers. These slow variations are one of the elements that are evolving the sound and you do not ever identical. This is what interested me and always interested in doing, but I can not get with digital cameras. The ARP is a tool from the extreme sound quality, relatively easy and flexible in terms of handling and ultimately very precise. I could not work with preset tools. Like instead of playing in uncertain areas, where the ear is lost and through this "erratic" creates a space of freedom. But paradoxically, the end product is far from improvisation! You can not improvise. "

In 1973 he taught electronics at the University of Iowa and California Institute of the Arts. In 1974, Terry Riley at Mills College where he called the opportunity to work with Pauline Oliveros and Maggie Payne. After playing at Mills College Adnos, "some students define his music," meditative. " Eliane started to approach the Tibetan Buddhism. Skip the next three years with the guru Kalu Rinpoche devoted exclusively to meditation. Back electronics in 1979 with "Adnos II" followed by "Adnos III" in 1980. Between 1980 and 1990 he wrote the "Trilogie de la mort", a composition of three hours inspired by the Tibetan Book of the Dead. In 2000 the French government bestowed the "bourse à la creation" through which Eliane composed "Songs of Milarepa" and "Jetsun Mila", works dedicated to the Tibetan poet and saint who lived in the eleventh century. In this same year he recorded his latest electronic composition, "Re-sounding Ile", awarded the Ars Electronica in Linz in 2006. In 2001 he began writing scores for acoustic instruments and collaborates with The Lappatites, improvisation group for computers.

A Portrait of Eliane Radigue (2009) from Maxime Guitton on Vimeo .



"I think the sounds have their own personality and this gives the sense of time that they need. There are sounds that they needed time to tell their story. There are others who are a little 'more lively, fast. I try to respect the time of the sounds ... "Eliane Radigue

Wednesday, February 3, 2010

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Alice Shields (1943)


Alice F. Shields (Manhattan, New York, February 18, 1943)


In 1950, Vladimir Ussachevsky (Columbia University) and Otto Luening (Princeton University) founded the Electronic Music Center. Located in New York in one of the areas for the Columbia University, the Centre is made official in 1959 thanks to a donation from the Rockefeller Foundation. The purpose of the EMC is to teach techniques to young composers of electronic music and the instruments (oscillators, phonographs, microphones, sequencers, electric organs, filters, tape recorders and much more) were available to students for recordings and live-sets . From 1959 to 1970, years in which management is entrusted to the institute Ussachevsky, the best known investigators visiting, studying or working at EMC
Alice Shields arrived at Columbia in 1961 to study music and literature. After He attended classes in composition by Jack Beeson, he graduated and became an assistant to Ussachevsky, his professor of counterpoint. From 1965 to 1982 he was associate director and technical instructor at the Columbia-Princeton Electronic Music Center.

"When in 1964 I Walked into the building for the first time, I Could see and hear the screeching monkeys in Their laboratory cages. Such Was the building in the Electronic Music Center Which Existed, and for at least twenty years nurtured the creation of Hundreds of wildly different works of art. "

excellent mezzo-soprano, Alice begins to include in its tracks made of loops, feedbacks, oscillators and filters, recordings of his voice. In 1965 he studied singing with Helen Merritt; Study realized in 1968 for voice and Tape synchronizing voice recordings with synthesized sounds on tape created with a Buchla. The contamination of operatic arias and electronic music is the theme of the search for Alice Shields: between 1966 and 1968 working at the Lake George Opera Festival and in 1970 led his first opera, Odyssey. The item becomes a real tool in Shaman, electronic work performed by the American Chamber Opera Company in 1987. Alice Shields still works as a composer in the opera world and is famous for the contributions non-classical (Indian music, Native American symbolism ...) introduced in this field.



"The Sunbather

She, sun
beating, walloping,
(save yourself, idiot)
--dead tired, can’t make it
(save yourself, idiot)

and she smothering you
you lie stinking, hot and nude on an asphalt roof.

She whacking, pummeling you,
my advice is, Complain.
--and then your bellow is beefed and gutted,
spat with smirking cheeks over the parapet.

Wide scraping sun-hips skin you, flail you,
idiot, idiot,
and you gravelling there nude on asphalt,
and you ecstasy in your bright bloody face."
--Alice Shields

Tuesday, February 2, 2010

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COMPANY '- The control of the minority shareholder in Srl Right to information and consultation.


The limited liability company certainly is the form used in most cases by those who want to set up a company capital.
Often, however, the relationship between the shareholder, or between those who have subscribed to the shares or bought them from the original partners, with the passage of time may deteriorate and it becomes necessary to carry out checks on operations.
Here I suggest the reader a quick overview the faculty member is not granted to the administrator Civil Code, inviting the reader to turn to the study for any further information on limited liability companies or persons, such as SAS and Snc

The legislature has provided that members do not solicit or administrators can affect some decisions that the company should or could take, this right can not be hindered by the majority shareholders or the board of directors.
Article. 2479 of the Civil Code in the first paragraph provides that the shareholders holding at least 1 / 3 of the share capital can convene the meeting and propose for approval a few topics other than those reserved for them in the articles.
addition they may require some decision to be taken Meeting with the method, Art. 2479 a, although the memorandum provides an alternative method and that for changes to the constituent, transactions involving the change of company, the change of shareholder rights or reduction of capital losses as provided by 'Art. 2482 ca.
Article. 2408 mentioned by art. 2477, paragraph 4, stipulates that if Srl has no obligation to have every member of the supervisory board may terminate the management measures which have damaged the company considers the supervisory board that should be taken into account in its report to the assembly.
If the complaint comes from the member owns 1 / 20 of the capital the board of auditors must investigate without delay the facts and submit its findings and any proposals to the assembly.

brings us to the decisive point in the field of social control over the documents.
Following the reform of company operation with the Decrees Decree Law 6 / 2003 and 37/2004, the Civil Code states the second paragraph of art. 2476
" members not involved in the administration are entitled to have news from administrators on the conduct of social affairs and to consult, even by professionals they trust, the corporate books and documents relating to the administration." .
control by the shareholders, not directors is expressed in right to information and consultation including through professionisti di fiducia del socio ed è mirato ad assicurare una corretta gestione della società da parte degli amministratori.

E' il mezzo tipico a disposizione del socio di minoranza per controllare l'operato dell'amministratore, espressione della volontà del socio di maggioranza.
Va rimarcato che il diritto di controllo non può essere negato o limitato ad alcuni documenti da parte degli amministratori potendo in tal caso il socio rivolgersi all'autorità giudiziaria e non è subordinato alla ricorrenza di un particolare interesse ma solo alla titolarità della qualifica di socio.

Come detto il controllo può essere effettuato con l'ausilio di avvocati, commercialisti delegates from the member or other professionals is not an administrator. Directors should provide information on the conduct of social affairs and grant access to company books and documents relatvi al'amministrazione. In the case of
refusal by the company to make available documents the right of access can be operated by the shareholder in a matter of urgency with the appeal to the competent court in relation to the registered office of the company, under Article . 700 of the Code of Civil Procedure. The shareholder has the right to exercise control in question and issue of copies of all documentation relating to the management of the company as required by Court of Pavia by an Ordinance of 2007.

In this case the member, after submitting a request extrajudicial been unsuccessful, had brought the action under Art. 700 cpc asking the Court to order the company, according to art. 2476, paragraph 2, access and extract copy of the ledger, book of aduanze and deliberazoni Assembly and the Administrative Board, the book inventory, ledger, VAT records, tax returns, billing and the invoices and other documents relating to corporate management.
Justices of Pavia stated that it recognized the right of a shareholder to exercise control through the release of copies of all documentation relating to the management.

should be noted that the right to obtain copies is provided for in Article SpA. 2422 while for the Srl is admissible even if not expressly stated in the code, except when necessary to apply to the court to define the mode in the absence of agreement between the parties.

focuses in the field of protective measures in addition to prima facie case, or the requirement of membership is required danger in delay or the possibility that the delay in obtaining the information would prejudice the right of control over 'Directors of the Company and the exercise of their powers both within the company through legal actions such as impugnazone budget or pursue action for damages against directors.

In conclusion based on experience I can suggest to the minority shareholder of the shareholder does not, however, Ltd and director who perceive difficulties in the "life" has a hint of corporate and business management "unclear" to operate without delay the right terms of art. 2476, section 2, relying on management checks of directors to experienced professionals.
A formal request to the company to give information on the conduct of social affairs and to consult the corporate books and anything else relevant to the management company, followed by access to documents, extraction and copy any action in court against those responsible, proved decisive in protecting the interests of the minority shareholder from activities contrary to law or contrary to social pacts in place by directors or majority shareholders.

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Maddalena Fagandini - BBC Radiophonic Workshop



Maddalena Fagandini - BBC Radiophonic Workshop


With the Second World War, women have access to jobs hitherto considered male domains. Employ young girls as radio engineers and technicians allows institutions to bridge the gaps left by men called to arms:

"There Was a tradition of using women as engineers and technical people in radio. This Happened During the War When All the gentlemen Went off to fight the war. There was quite a cut back after the war Surviving When The gentlemen Came back and wanted Their jobs, of course, naturally, But It Was That women still thought HAD done well. "

Il Radiophonic Workshop è uno dei migliori esempi di questa rivoluzione: qui sono impiegate lungo gli anni Daphne Oram, fondatrice del dipartimento nell’aprile del 1958, Maddalena Fagandini, Delia Derbyshire e Elizabeth Parker. Le prime esperienze realizzate dalle Signore della radio devono molto alla musique concrète, partorita nel 1948 dalla mente di Pierre Schaeffer. Alla BBC tale influenza ha l’occasione di radicarsi e di divenire molto forte soprattutto a causa della mancanza di strumentazione adatta alle nuove composizioni elettroniche. Per generare musica concreta sono sufficienti solo registrazioni ambientali su bobina manipolate in un secondo tempo per mezzo di filtri. All’epoca in cui i sintetizzatori non avevano ancora visto la luce, the Maida Vale studios were equipped with old tape recorders, oscillators of 12 tests taken from other departments of the BBC and little other equipment capable of producing noise. With meager funds for the workshop engineers are anxious to expand the equipment of studios buying kit post-conflict to Portobello Market, and only in 1970, thanks to Peter Zinovieff, the BBC acquires three VCS3 EMS Synthi 100 and a modular system. The lack of willingness to engage in the expansion of BBC equipment was born from a part of the great success that the authors were unable to obtain the RW with the few resources available, the other part on concerns that the new and strange noises generated in the mentality of the years Fifty, some doctors did note the leaders of the BBC and the workers had recommended a stay at the workshop up to three continuous months. Exposure to the sounds over a long period could lead to madness. The technical backwardness of the Workshop stimulates certain composers and is throwing in the towel to others. In 1959, Daphne Oram left the workshop and Maddalena Fagandini takes its place. After a secondment to the Italian ranks past the BBC, Maddalena is transferred to the Maida Vale Studio. Here composes jingles and simple interval signals creating the effects required by scripts with what he has available to it, she inevitably ends up inspired by the musique concrete. Through some oscillators built effects and a soundtrack for the adaptation of Cocteau dell'Orphée. With the arrival of Delia Derbyshire, who knew mathematics and the possibility of use of sound, the activities of the Workshop undergoes a great change and its experimental production increased exponentially. In 1962, George Martin, at the time the BBC Music Library, register with Mary Magdalene "Bit Time" under the pseudonym Ray Cathode. This is the first single released from RW composed using a signal created from the same range of Maddalena. A few months after Martin discovered the Beatles. Revolver strongly affected by the experience of Martin at the Radiophonic Workshop. Between 1965 and 1966, after the revolution scope of the early Moog synthesizer, Maddalena his attention to television production. It was clear that the electronics would soon become a true discipline, with a particular instrument, which was to provide more training for its musicians.



"Interestingly But It Was not Me The Sounds That Were Themselves suggesting what to do. That you learn the secret is in the material and not in Itself Mathematical calculation in your head. Its there somewhere for you to listen and find it. It has ITS own rhythm. You push it around at your peril. You have to let it happen, let it be. Then you can play around with what you know about music to help construct musical sound Which Makes sense to people listening. "Maddalena Fagandini

Monday, February 1, 2010

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Daphne Oram (1925-2003)


Daphne Oram (Devizes, Wiltshire, 31 December 1925 - Maidstone, Kent, January 5, 2003)

After graduating
Sherborne School For Girls, Daphne Oram began teaching piano, organ and composition. In 1942 the Royal College of Music offers a place but prefer to accept the role of Daphne Junior Studio Engineer at the BBC. At only 18 years Daphne starts to become familiar with synthetic sounds and make our first experiments with tape recorders. In the 50s is promoted by the BBC to Studio Manager. After a trip to Paris to study the matter RTF techniques of electronic music and concrete music scene in the English radio. Thanks to Daphne in 1957, the BBC saw the birth of the first soundtrack, with only electronic sources: bringing Amphitryon 38 using a sine wave oscillator, an old tape recorder and some filters. Along with Desmond Briscoe will start receiving commissions for other works including "All That Fall by Samuel Beckett. In 1958, under the sponsorship of the BBC, Desmond and Daphne founded the BBC Radiophonic Workshop. In October of that year, the radio sends as its representative at the World Exhibition in Brussels. The "Journées Internationales de Musique experimental" gather the most avant-garde of the time, Daphne note its technical backwardness due to lack of interest in the trial of the BBC. Leaving the Radio and in 1959 created his Oramic Studios for Electronic Composition in Fairseat, Kent. Daphne's universe expands: he began to work not only with radio and television but also with theater, opera authors (Thea Musgrave and Ivor Walsworth), movies (he creates the sound effects of The Innocents, Jack Clayton), installations and exhibitions. In 1962 receives a grant to enhance and develop the Oramics, method of composition and perfomace who had begun to make even the time of the Workshop. The Oramics consists of a large machine and a film 35mm transparent on which the composer gives an alphabet of symbols. Passed through the photoelectric cell, the symbols are translated into sounds with specific amplitudes, timbres, frequencies and durations and then transferred to tape. The first composition obtained in this way is Essonic Contrasts "(1968). Daphne Oram goes down in history as the first woman to direct a music studio, to found and own a design and build an electronic musical instrument. In 1971 scrve "An Individual Note of Music, Sound and Electronics," which investigates the electronic music so philosophical. In 1990 due to health problems must stop its work. He died in 2003 leaving a huge archive will be followed by "Oramics" posthumous collection of some of his work.



"She lived music. She Was as poor as a church mouse, Because Any money That Went into her chamber to her music gadgets. To me She Was Rather a kindly eccentric aunt . But She Had a very clear vision of how the computer Would revolutionize electronic music. " Chris Oram

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Else Marie Pade (1924)



Else Marie Pade (Aarhus, December 2, 1924)



Else start taking piano lessons in secret, under the guidance of a teacher of Music in Aarhus. The parents would have preferred a career for her daughter quiet and serene but the aspirations of Else were very distant from those of a receptionist in Denmark of the Second World War. The teacher introduces the plan soon to the environments of Resistance: unfortunately the two are captured by the Gestapo and only 19 years Else is found to spend eight months in prison camp Frøslev Lejre. It was 1944. At the camp
Else has the opportunity to meet some people can understand her deep interest in music, these illustrious patrons of the monthly grant an annuity to finance studies at the Music Academy.
Else From 1946 to '49, he moved to Copenhagen where he attended piano lessons at the conservatory. After graduating continues to deepen their knowledge under the guidance of Vagn Holmboe. In a night of 1951 will hear a speech by Pierre Schaeffer in the radio show "Horisont": the soul of musique concrète explained the new theory of music "sound universe." Else is so impressed by what the teacher that he decided to travel to Paris to meet him. In 1952, the two are linked by a strong friendship.
After a summer afternoon spent at the Bakken park in Deer Park, where musicians performed the Stravinsky of Petrushka outdoor Else decides to make a documentary for Danmarks Radio. The result is a soundtrack of the sounds of the park, music and nature sounds, reissued electronically. The work, "One day at Dyrehavsbakken" (1954-55), is not well received by the Danish public, very closed compared to the avant-garde:

"People Were indignant That I allowed myself to call it music."

Despite the savage criticism, Else continues his research in sound. Leans Holger Laurdsen, also occupied at Danmarks Radio, in contact with the circle of Werner Meyer-Eppler and is interested in electronic music. The two begin their journey together in the musique concrete. Holger teaches the basic techniques and, through them, Else creates a soundtrack for the radio drama "Looking for a ghost" (1956). The couple, who previously had used the lab to the radio, you put in own and builds a recording studio with equipment imported from abroad. Around the two formed a circle of technicians, writers and enthusiasts dedicated to plays and discussions about cutting-edge music. Stockhausen, Ernst Krenek and Herbert Eimert often visit the group holding seminars. The Danish composers do not take kindly to the work of Else and baby club, much less accepted theories of Schaeffer and Stockhausen: All the trends are removed from the Conservatives. If Denmark was not at all interested in the work of Elesa, Stockhausen and Boulez are calling on the tape to listen to students during the lessons that the two held in Europe. The works were delivered to teachers' SYV circler "(Seven Circles), the first electronic work ever done in Denmark, and" Glasperlespillet "(The Glass Bead Game). In 1958, the Universal Exhibition in Brussels, meets Else Berio and Maderna. Later met John Cage. Since 1957, things start to get complicated: the sudden death of Holger amplifies the loneliness and isolation of Else. In 1958 he produced "Symphonie magnétophonique", a composition of 19 minutes played for the first time at the Danish Radio in 1959. The paper describes a symphonic journey in modern civilization with the means of concrete music: sounds taken from everyday life, mixed with those made in the studio or those taken from the archives of Lauridsen. La situazione precipita nel 1960 quando Else divorzia dal marito Henning Pade: non poteva davvero fare a tempo pieno la produttrice, la madre single e la compositrice di musica elettronica in un paese a lei davvero ostile:



“The fact that I was a female composer - which was obviously rather unusual at the time - was not perceived as a problem by anyone. In Denmark, on the other hand, I often felt a bit ridiculed as a female composer. Even my own husband was bothered by my creating music. One might say that I was doubly isolated in Danish composer circles, partly as a composer of electronic music, partly as a woman.” Else Marie Pade

Saturday, January 30, 2010

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Laurie Spiegel (1945)


Laurie Spiegel (Chicago, September 20, 1945)


10 years Laurie started playing guitar, mandolin and Benjo deepening his studies privately in London. After graduating in social sciences at Oxford Univesity she took courses in composition and Renaissance and Baroque lute at Julliard School under the direction of Jacob Druckman and Vincent Perischetti. At 20 he began writing the first compositions.
In 1969, Subotnick visiting the studio in Manhattan, for the first time a Buchla 100, the same as Morton had used in 1967 to record "Silver Apples of the Moon." It's love at first sight:

"An instrument (Buchla 100) That is not limited to all kinds of notes But Makes sounds amazing, and I can play it myself INSTEAD OF HAVING to write down lots of little notes that i can not hear Hoping someday people will play Them. "

After this meeting the world Laurie changed forever: everything was different, even the traffic noise in New York had become a revelation. The Buchla was a tool made to work with the very nature of sound.
From 1973 to 1979 he worked at Bell Labs, learning how to program computers to create music and images. In the late '70s Jef Rakini gives her the prototype of the Apple II 48k. Thanks to this, Laurie became active in the counterculture scene of the technological will be one of the first composers to use the computer as a creative medium. In those years no one thought computers suitable for the production musical instruments were dehumanizing, anti-intuitive, no emotion. They were used by the government, banks and a few powerful businessmen. Laurie instead to the new technology could become part of folk music, had enormous potential within a pop. Spiegel soon would find a way for computers to make music available to everyone. Collaborate invention Synthauri Alpha, the first computer music system sold with an affordable price used for sound effects of the second Star Trek movie. Tired of the art scene that she had helped create in New York, in 1981 moved to Toronto where he directs the field of software development for McLeyvier. Mac 512k in 1985 with inventing the "Music Mouse" transmuting the Mac into a tool that allows people to "illiterate" to play in an intuitive way. Music Mouse becomes one of the first music software for sale in a position to allow musicians who have never studied music composition or to create tonal or atonal music by simply pressing buttons and moving the computer mouse.



"Women composers Were Still Few and Far between. Technology is largely Responsible for how much women composers are now more common, because it allowed women to get their music to the point where it could be heard (versus silent dots on paper), so the public and powers-that-be could learn that we also could do this. Women are still to some degree underdogs in composing. Throughout the 70s I earned much of my living by composing soundtracks for film and video. But jobs, or maybe people who would a woman as their composer, were few and far between. Even today, several decades later, the percentage of major motion pictures scored by women is still appallingly low.” Laurie Spiegel



Friday, January 29, 2010

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Bebe Barron (1925-2008)


Charlotte May Wind (Minneapolis, 16 giugno 1925 – 20 aprile 2008)

Bebe e Louis Barron si sposano nel 1947 and decided to move to New York. As a wedding gift to his cousin Louis, used the Minnesota Mining and Manufacturing Company, gives the couple a tape recorder. In 1948 Louis was deeply impressed by Wiener's book "Cybernetics: Or Control and Communication in the Animal and the Machine", according to the equations contained in the user begins to build the first electrical circuit that manipulates in order to generate sounds. In the late '40s Bebe and Louis begin to be concerned with the sphere of musique concrète.
Most of the compositions were created by Barron ring modulator, also used by Stockhausen in '58 and the BBC Radiophonic Workshop in 1963. While elaborating Louis circuits, Bebe selected tapes:

"Sounded like it just dirty noise".

After being cut and edited, they were applied to reverb and delay. Bebe for his careful work is considered one of the pioneers of the tape loop.
In 1951, Heavenly Menagerie completed on a magnetic tape and decide to open a recording studio in Greenwich Village. Together with that of Raymond Scott, was one of the first private practices throughout America. Frequented by the likes of Henry Miller, Tennessee Williams, Aldous Huxley and Anaïs Nin, the study saw the birth of the first audio books: the reading aloud of writers were transported in vinyl and published for the Contemporary Classics, a label founded by Barron. The firm, which for most equipment to be built by the same Louis with the help of his cousin of supplies, disposable two-garde scene in New York: between 1952 and '53 is used by John Cage for his first work on tape , Williams Mix. For this work, the Barron recorded over 600 different sounds then rearranged under the direction of Cage, the only four and a half minutes duration of the composition of the couple took over a year of work. Cage will use more of Barron for Music for Magnetic Tape made of Feldman, Brown and Tudor.
As the couple had won fame in the art scene in New York during the mid-fifties they decided groped a fortune in Hollywood.
Bebe and Louis had been working in experimental cinema and in 1956 made the first soundtrack created entirely with synthesizers and samplers. The sci-fi Forbidden Planet did not fail to raise problems, the Barrens were not enrolled in the Musicians' Union and therefore could not appear in the credits as the musicians. They had to be content with the term "Electronic Tonalities. The obstruction of the Musicians' Union was also likely to prevent the application from the soundtrack to the Oscar. The Barrens were not even admitted to the category of "special effects". Regardless, with Forbidden Planet and Dede Louis contributed to import electronics in cinema pop.
Nel 1970 la coppia divorzia ma questo accadimento personale non impedisce ai due di lavorare assieme fino al 1989, anno in cui Louis muore. Dal 1985 all’’87 Bebe Barron diviene segretaria della Society for Electro-Acoustic Music. Per tutta la loro carriera i coniugi Barron furono celebri per la scelta di rimanere fedeli alla vecchia strumentazione: nel 1999 Bebe viene chiamata dall’ University of California-Santa Barbara per creare un nuovo lavoro (Mixed Emotions, edito nel 2000) usando le nuove tecnologie.



“We were delighted to hear people tell us that the tonalities in Forbidden Planet remind them of Their dreams what sound like. "Louis & Bebe Barrons

Wednesday, January 27, 2010

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Pauline Oliveros (1932)



Pauline Oliveros (May 30, 1932, Houston, Texas)

Pauline Oliveros was born in Texas, surrounded by the sounds of nature and the environment, loved listening to the radio static emitted by the whistle while the tuner is led from one channel to another. Mother and grandmother were teachers of the plan, in 1942 gave her an accordion, an instrument which will for life, and a hunting horn. In 1953 he got his first tape recorder with which he recorded some tracks:

"I would rercord acustic sounds using cardboard tubes as filters. I'd put a microphone at one end of a cardboard tube and a sound source at the other. I used different sized tubes to get different filter characteristics. Sometimes I'd clamp a sound source to the wall so the wall Would act as a resonator and then record it at 3 1 / 2 or 7 1 / 2 inches per second and use the hand winding to vary the speed. I used a bathtub as a reverberation chamber "

the late fifties he moved from Houston to San Francisco where he attended the State University. In California he became friends with Terry Riley and Loren Rush, classmates at Berkeley with which he made a few sessions of improvisation. The atmosphere of San Francisco in the early sixties was really supply: with Morton Subotnik and Ramon Sender and Riley organizes the "Sonics," a series of concerts based on improvisation kept in the attic of the Conservatory. In 1962 the group changed location: opened on San Francisco Tape Center that Pauline will head from 1966 to 1967. The Tape Center, provided at the beginning of a modest equipment (different tape recorders and the prototype of a tape-loop system and delay created by Pauline) quickly became a collection point for all the artists and technicians interested in new expressions of ' mail. Here Don Buchla Buchla develop its Box.
Considered one of the pioneers of the tape delay and the sequencer, Pauline has always moved his research from the desire to be in close contact with the sound, to move it and control it in real time. Performance, public involvement and environments to be hand in hand with music by Pauline investigations. In the eighties
invented his own instrument, the EIS (Expanded Instrument System) and many experiments izing drone: the Guggenheim Museum in New York placed 100 singers on the escalation of Wright giving them very little guidance on how they should tune. The architecture of the building gave his contribution to performance. In 1982 an orchestra of accordion recruits (23 items) and item comes to the conclusion rhythmic miminamlista popularized by Philip Glass and Steve Reich. Equipped with trombone, didjeridu, accordion, shells, and pieces of entries metallo nel 1988 con Stuart Dempster e Panaiotist passa 5 ore in una gigantesca cisterna dismessa e sepolta. La Cistern Chapel a Fort Worden, con i suoi 45 secondi di reverberation time vede nascere la Deep Listening Band leggendario gruppo con dozzine di ospiti che registra subterranean soundscapes, improvvisazioni davvero influenzate dagli spazi. Da queste esperienze nasce il Deep Listening, teoria musicale della Oliveros sviluppata negli anni Novanta in cui introduce il concetto di incorporare i suoni dell’ambiente nella performance musicale. Obbiettivo del D.L. è quello di ascoltare ogni rumore per ciò che è, niente di più niente di meno. Il Deep Listening e le Sonic Meditation (già celebri negli anni ’70) devono molto alla pratica Zen: when the perceiver and perceived are two, the ego continues its differentiating function, preventing the full ceratività perception to emerge. The principle of non-differentiation, already used by Cage, which move the performance of Oliveros tries to break the limits between the perceiver (as a subject) and perceived (object). The inerpretazione of the two in a unique and not separated will be born in mind harmony and creativity.
One of the basic concepts of the mentality of Pauline Oliveros about creativity and nesessaria seen as fundamental to human dignity. Helping others to be creative is a basic task that the artist has to perform; allo scopo di dare supporto ai giovani artisti fonda la Pauline Oliveiros Foundation.
Nel corso degli anni ha insegnato in varie università americane (attualmente è docente e ricercatrice al Mills College), scritto numerosi libri sulla percezione del suono e sulle sue teorie artistiche. Realizza incessantemente performance e concerti.



"I have listened to many refrigerators. There is often a flickering between the sixth and seventh harmonic. Once, while in the process of drinking ouzo ... a refrigerator sent its harmonics out to surround my head with circles, ellipses and figure-eights". Pauline Oliveros

Tuesday, January 26, 2010

Coby Tf-dvd1023 10.2-inch Widescreen

Linda Fisher&Judy Borsher: M.M.P.M.C.



Mother Mallard's Portable Masterpiece Company: Linda Fisher & Judy Borsher

The Mother Mallard's Portable Masterpiece Company was founded between 1968 and 1969 by David Borden's return from a stay at the Hochschule für Musik in Berlin. Thanks to the friendship that shook Borden Bob Moog in 1967, the Mother Mallard go down in history as the first synthesizer ensemble composed almost entirely supplied by the same tools Moog (three modular Moogs, and two mini-moogs, including the prototype now preserved to 'Audities Foundation, Chinook Keyboard Centre in Calgary, Canada). Steve Drews and Linda Fisher have joined David in 1969 and 1970. Linda brought in the only group polyphonic instrument, the RMI Electric Piano.
Linda's approach to the synth was pretty special: it was any instrument that could be used by anyone with skills. It was a neutral instrument.

"The synthesizer Clearly Came out of a male-dominated technology. But it's a tool, like anything ... There Was A Flexibility to it, I think, That Would Lend Itself to anyone coming at it with Any kind of approach. "

Immersed in the counterculture, Linda perceived differently by the attitudes shown towards electronic musicians and musicians:

"bad musicians Would like to your concert and They wanted to blow Their mind doing something new with technology while the women musicians tended to see the technology as a leaping off point and not as an end in itslef”.

Il trio inizia eseguendo per alcune performance brani di musica minimale composti da John Cage, Terry Riley, Steve Reich, Philip Glass ma già nell’estate del 1970 vanta un repertorio originale di oltre un’ora realizzato solo con moogs. Ovviamente, la Moog Company recluta da subito i MMPMC per dimostrazioni e concerti.
Il loro primo album viene iniziato nel 1970 e pubblicato solo nel 1973 per la Earthquacke Records, etichetta fondata da Borden con l’aiuto di Judy Borsher, incontrata nel 1972 quando era ancora studentessa alla Cornell. Nel 1973 viene chiesto a Borden di comporre la colonna sonora del film The Exorcist; benchè Billy Friedkin avesse scelto di utilizzare meno di un minuto di quanto era stato prodotto dal trio, questo momento rappresenterà la prima spaccatura all’interno del MMPMC. La band diviene molto celebre e le offerte iniziano ad incrementare: sono richiesti a Hollywood e in Europa. David non ha nessuna intenzione di trasferirsi in California. Steve non vuole andare in Europa e Linda capisce che è ormai giunta l’ora di prendere una strada diversa. Nell’estate del 1975 Judy, che sapeva già suonare tutto repertorio, si unisce a David assieme a Chip Smith (già chitarrista per Chuck Barry), sostituto di Steve che se ne era andato alla fine del ’75 per coltivare la sua carriera di fotografo. “Like Duck to Water ", the second album will be released in 1976. The new lineup toured America with Judy van from 1975 to 1978 when David decides to dismiss the band for a while 'to spend more time with his family.



In the early 80's Linda Fisher taught for two years "Analog Synthesis" at Vassar College and note the difficulty of involving the girls in the course.
"They Were Usually very shy, Did not Want to Speak Up Because They Felt That They Could not compete with this guys with racks of synths in Their homes and, you know, Knew all the while the teminology. Those that persist, persist differently, and they persist for different reasons, because of really what the equipment can do for them, not just because it’s a cool thing.” Linda Fisher